CINCINNATI SYMPHONY

“Robinson made handy work of the Tchaikovsky showpiece [Rococo Variations], which calls for everything in the cellist’s bag of tricks, from thumb position acrobatics to high harmonics.”

CINCINNATI POST

INDIANAPOLIS SYMPHONY

“Robinson captivated with her expressiveness and sense of timing, whether it was her use of rubato in solo phrases or her riveting opening to the finale." [Brahms Double Concerto]

INDIANAPOLIS STAR

ST. PAUL CHAMBER ORCHESTRA

“Playing solo parts written for them, Laredo and Robinson demonstrated a wedding of technique and artistry in which music and performer are one indivisible entity." [Rorem Double Concerto]

ST. PAUL PIONEER PRESS

PRINCE WILLIAM SYMPHONY ORCHESTRA

“Sharon Robinson was the cello soloist, and her performance was simply masterful." [Elgar Concerto]

WASHINGTON POST

BALTIMORE RECITAL

“The rest of the sonata [Shostakovich] was equally impressive; a first movement that was insouciant, a soulful slow movement and a final one in which her playing spoke eloquently throughout, particularly at whisper-soft levels.”

BALTIMORE SUN

92nd STREET Y

“[Robinson] was memorable throughout the concert, from the anxious curlicues in the first movement of Zwilich’s Piano Trio, through her ascent to icy heights at the end of Arvo Pärt’s “Mozart-Adagio”, to an assertive yet natural rendition of the tender cello line in the Adagio of Brahms’s Piano Trio in B, Op. 8.”

NEW YORK TIMES